It is as magnificent, jaw-dropping, gasp-enticing and lavish a staging as you can imagine, but Opera Australia’s decision to rely on digital technology for its latest production of Aida nearly came unstuck on opening night, due to a tiny, blinking square of blue light.... Read More | Share it now!
Tackling Verdi’s Rigoletto in the #metoo era could have been a real opportunity for Opera Australia. A story featuring a leader who believes women merely objects for his desire and a disadvantaged subject who cheers on this behaviour until it is directed towards his own daughter – just think of the possible political parallels to be drawn from this! But sadly, this is an opportunity lost, given up for the safety of the all too familiar. The latest revival of Elijah Moshinsky’s 1991 production has a couple of firsts for its performers but not much in the way of the new for audiences. It is good but not ground-breaking.... Read More | Share it now!