Beginning in 1989, Chimerica brings us Joe Schofield, an American Photojournalist stationed in Beijing. Sitting in his hotel room during the Tiananmen protests, he manages to snap the all-famous photograph of Tank Man – a young student standing defiantly in the way of a line of tanks. Fast forward to 2012 and Joe, now back in New York, is faded and hungry to resurrect and rediscover himself. After a tip-off that the Tank Man may still be alive – and even living in New York – he risks everything to track him down and crack the story.... Read More | Share it now!
In its opening moments Chimerica greets us with the back of its full cast, each in the vise of the iconic image “Tank Man”. Together they move, whipping their shopping bags in defiance. It is the precursor to the essence of this play: the enigma that is the Tank Man and his shopping bags.... Read More | Share it now!
Michael Gow’s Away is one of Australia’s most popular plays and this latest production makes it easy to see why. The current Sydney Theatre Company and Malthouse Theatre Production sees the play return to its second home at the Sydney Opera House (the show played here one year after it debuted at the Stables Theatre in 1986.) It’s a story that is in some ways deceptively simple and in others is quite layered and complex in its symbolism, imagery and references to different texts. This is a portrayal of three different Australian families going away on holiday in 1967 and one that remains an important and vital slice of home-grown theatre.... Read More | Share it now!
Starring Richard Roxburgh and Cate Blanchett, Andrew Upton‘s The Present is based on Anton Chekhov‘s first play, untitled and only discovered sixteen years after his death. After an acclaimed season in Sydney, the STC production will begin previews at Broadway’s Barrymore Theatre later this month.... Read More | Share it now!
Speed The Plow is a somewhat calm and controlled satirical stab at the American movie business, at relationships and convenience, and at wanting to be a good person and yet always having to succumb in the end at the hands of money, money, money. As Bobby says in defeat: “I wanted to be good, but I became foolish”.... Read More | Share it now!
There is a reoccurring joke in A Flea In Her Ear that plays out as such- one character will start “I saw this play…”, to which the other will interrupt to say “I’m sorry”. The initial character then waves away the sympathy, explaining, “it was short”. Having seen STC’s latest production of this play, my final response in such a situation (were one to occur) would be to cry dramatically and exclaim “IT WAS NOT LONG ENOUGH!”... Read More | Share it now!
The most recent production of A Midsummer Nights Dream I had seen was The Australian Ballet’s interpretation last year, “The Dream”. The ballet was full of whimsical fairies and enchanted forests, the dancing light and airy as it retold Shakespeare’s fanciful story of love and folly. Here again in the Sydney Theatre Company’s latest adaption of Midsummer there exists that story of love and folly, but replace the word whimsy with haunting, enchanted forests with stark emptiness, the light with darkness and the airy with a heavy dose of seriousness.... Read More | Share it now!