Sydney Festival

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Live Review: St. Jerome’s Laneway Festival – Sydney Showground (05.02.23)

The return of St. Jerome’s Laneway felt much needed and right, but not as familiar as we remember it, unless of course you remember the Big Day Out. The Sydney Showgrounds site, including the cavernous Boiler Room (version 2.0) on a 25+ degree summer’s day has been the location for many classic festival experiences and…

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Photo Gallery: Elana Stone + Butternut Sweetheart – Seymour Nights (21.01.23)

Seymour Nights in association with Sydney Festival has produced an outstanding series of free concerts this January at the Seymour Centre in Chippendale. Last night it was Elana Stone and Butternut Sweetheart who graced the stage. The weather nearly got the better of proceedings, with a downpour curtailing Butternut Sweetheart’s set.  The advantage of an…

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Lady Sings The Blues

Sydney Festival Review: Working through the power and the pain of women in music with Prinnie Stevens in Lady Sings the Blues

Best known as a finalist on the commercial television singing competition, The Voice, Prinnie Stevens is a singer and theatre performer, starring in productions including The Bodyguard and Thriller Live. In Lady Sings the Blues, Prinnie brings her Tongan Catholic heritage to stage and maps out a life and love of strong women in music….

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Werk It

Sydney Festival Review: Werk It will have you asking, “How’d they do THAT?”

Sitting in the audience at Werk It you’d be forgiven for rubbing your eyes and questioning what you’d imbibed prior. The 60-minute show performed by Circus Trick Tease was pretty much all killer, no filler. This was a crazy array of jaw-dropping stunts and circus artistry with lashings of sass and innuendo. As you walk…

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Sydney Festival Theatre Review: Girls & Boys will leave you thinking long after you’ve left the theatre

Girls & Boys is a one-woman play that had its Australian debut at the Adelaide Festival last year. The name can be deceiving given it is a rather quaint one for a story that packs a lot of punch. Across 110 minutes, we hear one woman’s story of how her picture-perfect life and marriage unraveled….

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Sydney Festival Review: Frida Kahlo: The Life of an Icon brings flowers, colour and fruit to Oz, oh my!

If you’re going to The Cutaway at Barangaroo make sure to wear some flowers in your hair. As part of Sydney Festival, this will host A wonderful and immersive exhibition about Mexican artist and icon, Frida Kahlo. The result is a dazzling array of kaleidoscopic colours as we walk through a powerful homage to this…

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Theatre Review: Green Park is a deep exploration of place and meaning through Sydney’s queer history.

Two men meet in a park; a seemingly innocuous Grindr hookup. Except, there’s a wide age gap, and an immediate tension between the two men. The younger Edden (Joseph Althouse) finds the original suggestion to meet pre-hookup amusing and wants to head to a nearby sauna, while Warren (Steve LeMarquand) awkwardly attempts to discreetly take…

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Wudjang

Theatre Review: Bangarra’s Wudjang: Not the Past will leave you shaken

Described by Bangarra Director Stephen Page as “narrative dance theatre and contemporary ceremony”, Wudjang: Not the Past follows the journey of a young woman Nananhg (Jess Hitchcock) as she struggles to understand her cultural heritage while existing in a white system. When ancestral bones are discovered during excavation for a dam, one of the men,…

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Seventeen dancers assmeble on stage to learn a routine.

Theatre Review: A Chorus Line is a glimpse into the world of dance like you’ve never seen

Forming part of the 2022 Sydney Festival, A Chorus Line at Riverside Theatres in Parramatta delivers a behind-the-scenes look at the life of a dancer trying to forge a career on Broadway. Set on the stage of a theatre during auditions for a chorus line, the musical centres on the lives of seventeen hopefuls and…

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Sydney Festival Review: Autocannibal is a gruesomely funny exploration into our apocalypse

Autocannibal presents a dystopian circus exploring the nature of sustenance. Isolated as the only remaining human in a world bereft of food and water, our protagonist battles a sea of junk and plastic, avoiding the obvious reality that there’s only one thing remaining for him to truly eat. Mick Jones is a versatile performer, delivering…

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Sydney Writers' Festival

Sydney Writers’ Festival returns to Carriageworks for four events this Summer as part of Sydney Festival

Sydney Writers’ Festival and Sydney Festival are joining forces for one weekend in January to present four major events at Carriageworks. The four events, presented under the banner Something to Talk About will see Sydney audiences spending time with the 2020 Booker Prize Winner, Douglas Stuart; perennial Festival favourites Jennifer Byrne, Michael Mohammed Ahmad and…

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Interview: Sydney Festival’s new director Olivia Ansell talks direction, music and untold stories

Through some temporal wizardry, January 2020 simultaneously feels like yesterday, and many years ago. COVID-19 and its resulting lockdowns has confused our sense of time and wreaked havoc on the numerous industries that define Australia. The arts has been a most prominent victim of this ongoing global pandemic, but that won’t stop the tenacious scene…

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Bronze Lands

Sydney Festival Review: Robert Curgenven’s Bronze Lands (Tailte Cré-Umha) is building and body as instrument

Pipe organs are interesting, yet largely under-utilised beasts. Built into the grand expanse of the building, the organ at Sydney Town Hall is not an instrument in itself but rather turns the entire building into one. Ireland-based Australian composer and artist Robert Curgenven utilised this to its full extent in his immersive production: Bronze Lands (Tailte…

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Sydney Festival Live Review: Poof! Secrets of a Magician proves James Galea is a card boasting humour that is far from sleight

Magic is so often about secrets, smoke and mirrors, but James Galea also adds a dash of silliness to the mix. The hip youngster projects a cool and calm exterior that is so charming. He also has an irreverent sense of humour; his tongue is placed firmly in cheek. In Poof! Secrets of a Magician…

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Sydney Festival Review: Anthem is a poignant yet entertaining look at Australia’s despair

An all-star collaboration of sorts, Anthem sees acclaimed writers Christos Tsolkas, Patricia Corneleus, Andrew Bovell and Melissa Reeves reunite with composer Irene Vela following their 90s-era play Who’s Afraid of the Working Class? A series of stories interweave through the backdrop of Melbourne’s train network, with a range of characters thrust together on public transport…

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Sydney Festival Review: I’m a Phoenix, Bitch is a poignant display of the darkness and desperation of motherhood

Performance artist Bryony Kimmings is known for work centering on the personal, with prior shows exploring her partner’s depression, a show devised with her tween-aged niece and another sleuthing the source of an STD. In I’m a Phoenix, Bitch, however, things get far more raw. If one uses life experience as a platform for their…

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Sydney Festival Theatre Review: ‘Black Ties’ is a warm exploration of Indigenous and Maori relations

The wedding comedy is common shorthand through which to explore culture. Those from different traditions are forced to navigate a new frontier, negotiate new sets of terms and decide what parts are most important. Black Ties sees this culture clash cleverly told between an Indigenous and Maori family, highlighting both the similarities and stark differences…

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Sydney Festival Theatre Review: The White Album sees Joan Didion holding up a magnifying glass to 1960s America

The White Album may have been a seminal record by The Beatles but it’s also a book of essays by Joan Didion. Published in 1979, it is an evocative text where the author made some piercing observations about her world during the late sixties in America. Sydney Festival played host to a clever adaptation of…

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Sydney Festival Live Review: Regurgitator’s Pogogo show is as manic as their regular gigs, except they’re swapping swearing for sugary highs

If you’ve seen Regurgitator perform live you know that their shows are high energy ones. They’re also partial to a great costume and some interesting visuals. Their children’s show, Pogogo has all these same ingredients. The big change however, was that the content of the songs was less G-spot and more G-rated. The trio performed…

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Sydney Festival Theatre Review: Double Delicious’ is a heart-warming and fun look at heritage & storytelling told one dish at a time

Food, glorious food can mean so much. It is nourishing and keeps us alive. It’s something we share with loved ones. It can also be a window to certain cultures- you can be an active participant in a small and perhaps unknown community. This is the scene that Double Delicious operates in: it’s a heart-warming…

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Sydney Festival Review: Counting and Cracking is a highly important celebration of culture

Counting and Cracking was Belvoir and Sydney Festival’s lead production for 2019, launching with much fervour and excited rumour. A stadium worthy theatre piece purpose-built into Sydney Town Hall. A global casting call for 17 performers playing over 50 characters. Five languages on stage. A Sri Lankan meal awaiting each audience member as they arrive….

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Theatre Review: Brett & Wendy…A Love Story Bound By Art is both visually arresting & a restless drama (Parramatta’s Riverside Theatre until 27 January)

It should come as no shock that a theatre show about one of our nation’s greatest artists looks fabulous. The world premiere of Brett & Wendy…A Love Story Bound By Art is one vivid and lyrical look at two creative tour de forces. This production is an ambitious one that covers a lot in its…

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Sydney Festival Review: Paul Capsis with the Fitzroy Youth Orchestra showed a dark gothic chameleon paying tribute to his inspirations

Paul Capsis is a performer who appreciates artists who are both unique and true to their real selves. You could argue that he too fits into this distinctive mould. His Sydney Festival show at the Magic Mirrors Spiegeltent was an eclectic love letter to his many inspirations. The repertoire for the night was arranged by…

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Carriageworks gets new pop-up Spanish restaurant for Sydney Festival

multi-award winning chef, caterer, restaurateur and lecturer Darren Taylor is bringing a special pop-up restaurant to Carriageworks over the next few weeks, inspired by the buzzing energy of Sydney Festival. From tomorrow until 27th January, COSECHA will be bringing inspired Spanish dishes to the art institution, operating from lunch right through to dinner. With Carriageworks…

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Interview: Stephen Lopez talks about dancing up a storm in the salsa musical In The Heights at Sydney Festival

Melbournian actor, Stephen Lopez played Usnavi De La Vega in the debut Australian production of In The Heights in Melbourne in 2015. The show, a quadruple Tony award-winning work, written by Hamilton creator and Moana composer Lin-Manuel Miranda, is a modern summer musical boasting hot, Latino rhythms. A return staging of the show will be hitting the Sydney…

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Interview: Paul Capsis (Aus) talks Sydney Festival and working with Jethro Woodward

Paul Capsis is one of Australia’s most versatile performers and is equally at home in the world’s of theatre, film & television, and of course cabaret. He’s a gifted interpreter of song, and has sung with a diverse and varied group of musicians and singers, including the Australian Chamber Orchestra, Russell Crowe, the Soweto Gospel…

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Nine shows not to miss at the Sydney Festival in 2019

Every January, Sydney Festival helps kick off the new year with a massive cultural celebration, and 2019 is looking to be no different. The 2019 instalment of the festival includes eighteen world premieres, five Australian premieres, and eight Australian exclusives, and features a programme which runs the gamut of cutting edge contemporary theatre, visual arts and…

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Sydney Festival Review: Wild Bore is more than a reviewer’s worst nightmare

Wild Bore is everything that’s wrong with the business of theatre. Or, to be less ambiguous, it is a piece of theatre about everything that is wrong with the business of theatre, wrapped up creatively into an hour of bodily humour. It’s timely, pointed and it’s a lot of fun. Part of the 2018 Sydney…

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Sydney Festival Review: 16 Lovers Lane was a celebration of love & it’s beautiful messiness

This year marks the 30th anniversary of The Go-Betweens’ 16 Lovers Lane. Three former members of the band played a special tribute at the State Theatre for Sydney Festival. And rather than dive for the group’s memory, the artists rose up and soared in a sea of nostalgia while supported by a cast of contemporaries…

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Sydney Festival Review: Gotye’s Tribute to Jean-Jacques Perrey is a love letter to an electro music pioneer

The name Jean-Jacques Perrey could mean everything and absolutely nothing to different people. Perrey was a musical chameleon and the first and only virtuoso of the Ondioline, a rare French electronic musical instrument and precursor to the modern synthesiser. Perrey’s work has been sampled by rap artists, played on South Park and garnered the likes…

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