Wild Bore is everything that’s wrong with the business of theatre. Or, to be less ambiguous, it is a piece of theatre about everything that is wrong with the business of theatre, wrapped up creatively into an hour of bodily humour. It’s timely, pointed and it’s a lot of fun.... Read More | Share it now!
The original “Town Hall” debate was no ordinary affair. So it should come as no surprise that the one-act play based on this historic event is no ordinary piece of theatre. The show comes courtesy of New York’s The Wooster Group and rather than a straight, re-telling of an already chaotic feminist discussion, they inject other forms of media and theatre to provide one rich and lively show.... Read More | Share it now!
A dance-theatre piece presented using virtual reality technology in which the audience subconsciously chooses their own performance is a fantastic concept, but with Whist the end-result is confusing and even a little disturbing. For those interested in psychology and, in particular, the work of Sigmund Freud, this is an immersive treat. But if you’re looking for a joyous exploration of new technology in art you may be left wondering what could have been.... Read More | Share it now!
Danish group Between Music’s Aquasonic was one of the more intriguing inclusions in this year’s Sydney Festival program. Billed as the ‘world’s first underwater band’, the group performs with purpose-built instruments while completely submerged. The team apparently developed the show for over a decade, generating optimal conditions for water acoustics and creating the soundscapes.... Read More | Share it now!
Take a Cirque du Soleil show. Strip out all the colour, the costumes, the set. Turn off the music. What you’d be left with is something that looks a lot like Dimitris Papaioannou’s Still Life. Featuring feats of acrobatic strength and clowning, Still Life is a beautiful piece of moving art, created from the most mundane of objects and tasks.... Read More | Share it now!
Described as “part anthem, part campfire story, and part instructions for the dismantling of the gender stories we tell”, Tomboy Survival Guide comes to Sydney Festival all the way from the Yukon in Canada, and serves as one of the most powerful performances to grace this year’s festival.... Read More | Share it now!
You’ve probably heard the phrase ‘wrestling with their inner demons’ – you may even know someone who has. In Institute, English physical theatre company, Gecko, has taken that idea and turned it inside out, giving us a powerful and beautiful physical representation of the inner workings of the human mind.... Read More | Share it now!
Native Earth Performing Arts’ Sydney Festival offering, Huff, is arresting, confronting, and oddly comedic. Immensely talented writer and performer, Cliff Cardinal, ensures the audience is continually unsettled, and you will find yourself laughing at circumstances that are far from funny. If you’re looking for a feel-good night out, safely ensconced behind the theatrical fourth wall, this is not it. But as an experiment in physical storytelling and audience alienation, Huff is deserving of your time.... Read More | Share it now!
King Roger, or Krol Roger, is a rarely performed Polish opera that takes you inside the conflicted mind of the King as he battles with the seduction of a hedonistic Shepard/God. And by “takes you inside” it means quite literally, for the main stage is a giant head- the hollowed back forming stairs and platforms within the mind where most of the action takes place.... Read More | Share it now!