The quiet suffering of grief can be as soft as gravel crunching underfoot to some and as loud as a car crash to others. No matter how it feels it is always heard. Perhaps that is the intended message of Lot Vekeman’s Poison?... Read More | Share it now!
After Jane spectacularly quits her awful job, she and housemate Kel decide it’s time to rent out the sunroom. Roy seems to be the perfect candidate. He’s quiet and he cooks and he’s not looking to impose on the girls’ karaoke nights any time soon. But Kel isn’t so sure and she’s ready to put her friendship with Jane on the line to prove it. There’s something not quite right about him, something almost… inhuman. After all, there’s only so many times a guy can listen to Toto’s Africa before it seems weird, right?... Read More | Share it now!
Be they flocking or fleeing, birds are always a sign of impending danger. Hell, if you grew up in Brisbane, the clicking sound of a magpie’s beak and the beat of black wings are a certain sign of danger. The Bluebird Mechanicals is no less than this. A neat artist’s palate of danger organised, devised and occasionally improvised for your viewing pleasure and a reprieve from sanity.... Read More | Share it now!
The emergence of participatory art with a desire to move viewers out of the role of passive observers into the role of co-creators has been evolving for decades in contemporary art and theatre practice and theory. In the 70’s, artist and activist Joseph Beuys created the term “Social Sculpture” to illustrate his idea of art’s potential to transform society in which everyone has the potential to be an artist.... Read More | Share it now!
Presented as part of BrisAsia Festival, a host of international performers welcome audiences to Cargo Club, an immersive experience exploring global themes and personal experiences. Spoken word, ancient ritual, live art, and cool tunes come together as artists tell their stories, unpacking their own ‘cargo’ in a true cultural melting pot.... Read More | Share it now!