British playwright Henry Naylor presented his personal journey, a one-man monologue entitled, “Afghanistan is Not Funny” at Holden Street Theatre for the Adelaide Fringe. The original show was directed by Holden Street’s Artistic Director Martha Lott, and then was further developed by New York’s Soho Playhouse’s Artistic Director, Darren Lee Cole. The title is the…
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Elf Lyons bounces on stage. The audience is crammed into the basement-like Gallery Theatre, the front row with a plastic sheet “for protection.” In fact the entire set is covered in plastic, looking like Patrick Bateman’s room from one of the murder scenes from American Psycho. We’ve already been warmed up with a soundtrack including…
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Lydia Lunch and Joseph Keckler are both one-of-a-kind New York performers. The Garage International theatre is a converted church behind the Adelaide Town Hall and is an appropriate venue for the evening’s spoken word entertainment. Chandeliers incongruously light up the seating area in what was the hall, while ushers frantically add chairs to accommodate the…
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It was a hot summer evening in Adelaide for a night of psychedelia, with four bands on the bill at the Cranker (Crown and Anchor Hotel). Local outfits Nite Rites, Thunder Speaks and Sons of Zöku supported the highly anticipated Japanese Krautrock band MINAMI DEUTSCH, making their debut in Adelaide. Outside, the closed off Rundle Street…
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The Infamous circus tent is a beacon in Ellis Park, on Adelaide’s West Terrace, right next door to Adelaide High. The massive purpose built Spiegel big-top houses the Ashton Family touring circus. The circus was acquired by James Henry Ashton in 1850, and today is run by 6th generation Ashtons and is now known as…
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A sparse looking bedroom; a bed, wardrobe and a mirrorless mirror stand are the only props on stage. A nun drags the bed by a rope slung over her shoulder. Gazing out to sea, she casts a rod, landing herself a wayward traveller, apparently lost at sea. He lands on the bed, dazed and confused,…
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Gravity and Other Myths is the company presenting the show Ten Thousand Hours. The title of the show pays respect to those performers who spend upwards of 10,000 hours honing their craft. It’s generally considered how much time is required to become competent at a craft. In a way there is a nod to both…
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The Masonic Hall on North terrace in Adelaide is an imposing building, that has a sense of curiosity to most people. For the 2024 season of the Adelaide Fringe, the Electric Dreams collective have bought together a selection of visual treats. Entrance to the shows are via the front entrance into the basement, where a…
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The Adelaide Fringe is spread over several hubs around Adelaide, and indeed around the state. Fools Paradise in Victoria Square, in the city centre is one of those. A couple of large circus tents, a trapeze school, food and drink outlets and some fun installations are dotted around. While it may not have the glamour…
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Recreating the feeling of the famous magic bars dotted throughout Tokyo, The Maho Magic Bar has set up shop in Adelaide Fringe‘s Garden of Unearthly Delights. The Garden itself is probably the best known hub of the Fringe, in the parklands east of Rundle Street in Adelaide. While the clientele relaxes in the outside bar waiting…
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After the success of Lady Sings the Blues at the Adelaide Fringe in 2022, Prinnie Stevens is back this year with the second instalment of her show. With such an incredible array of blues artists that have shaped today’s musical world, it’s only fitting that the music deserves a second chance. This year the show…
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One thing that the Adelaide fringe is known for, is bringing strange and unusual events to the city. One of those is The Inflatable Church, which has come all the way from the European Fringe circuit. It’s like a giant inflatable jumping castle, but all the fun happens on the inside. It’s unholy matrimony, where…
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The Adelaide Planetarium is a thirty seat dome in the Mawson Lakes campus of the Adelaide University. Normally used for demonstrating the movements of our celestial system, tonight the idea is to be fully immersed in a sound and light experience. The team behind the show, Sacred Resonance have been presenting sound and light experiences…
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Michael Shafar is a testicular cancer survivor, hence the chemo joke. It was what his oncologist told him after he had seen the show; “You were well worth the chemo, Michael.” Which is a pretty good recommendation. On a Tuesday night after a long weekend, the house is full. Even if the stage is an…
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Ari Arari is a musical based on a 600-year-old Korean folk song. “Arirang” is surmised to mean “my beautiful one,” and the story is set in the Gangwon Province of Korea. Symbolic of the enduring bond between North and South Korea, it is a sweeping epic story of a daughter’s search for her carpenter father…
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A man sits reading in a room, surrounded by artefacts of a past era; a record player, an unfinished abstract oil painting; a rotary telephone. He’s a counsellor (Cha Hyun-suk, who also wrote and directed the play) and he is expecting a patient. His patient (Taesik Shim) is to be his last before he retires…
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Adelaide Arts Theatre is hosting the first ever Korean season for the Adelaide Fringe. AtoBiz and Global Cultural Exchange Committee have hand picked a small selection of physical theatre and music shows. The story Hello the Hell: Othello is a play by Creative Jakhwa, a young team that started with the meaning of “flowering a…
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The late night performance of Rouge is a little bit more saucy and raucous than the earlier evening shows, but with all the passion and fun that one expects. There’s a feeling of rawness and spontaneity that begins soon after the audience fills the Moa tent in Gluttony. In tight black pants, high heels and…
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One of the more unusual Fringe events this year is the Celestial Gardens: The Secret Sounds of Plants. Set in the Adelaide Botanical Garden Bicentennial Conservatory, plants are wired with bio-sensors to create sounds. Visitors are invited to stroke and interact with the plants to create music. The whole conservatory is lit up and artworks…
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As the crowd filled the smokey Wonderland Spiegeltent in the Wonderland Festival Hub, the excitement in the air was palpable. And it was no surprise, considering that The Marvellous Elephant Man: The Musical had been described as The Book Of Mormon meets Beauty and the Beast. Just how on Earth were they going to pull…
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Ben Hart is no stranger to the Adelaide Fringe, but this year he is surrounded by walls rather than being in a tent. He comes on stage, dressed in a black suit and tells us about his love for magic. His story is enchanting and soothing as he explains that the magic exists in us…
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i am root begins with a traditional Acknowledgement of Country, before Canadian-born Olenka Toroshenko calls upon her own ancestors to join her performance. From fleeing war and settling in Canada, to following love to Australia, what follows is a personal and eclectic mix of Ukrainian poetry, storytelling, dance, comedy and even cooking. There are tragic…
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Despite the name, Silence! is anything but quiet. The French performance artists, Les Commandos Percu created an incredible eye-popping mashup of fireworks, drumming and explosions. As the sun set over the Torrens River in Adelaide, the Zimbabwean-born R&B musician KYE warmed up the crowd. Encouraging everyone to dance, she gained some new young fans who…
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The Maho Magic Bar has returned to Adelaide Fringe in The Garden of Unearthly Delights. Modelled on the Magic bars of Tokyo, tricksters entertain the audience whilst they sip on cocktails. Inside the Maho Bar, there are four bar areas and a separate table and each one hosts a conjurer. The atmosphere is loud, raucous…
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Coffs Harbour comedian Ben Stevenson is coping with grief in the best way that he knows how: through comedy. Using his wit as an outlet for the emotions surrounding the loss of his mother, Stevenson created Ratbag – a stand-up routine combining the darkest point in his life with uplifting stories from his childhood. The…
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Song Lines are the way of sharing knowledge along generations of Indigenous people. In this multimedia performance, the relationship to the land is explored, not just in song, but in visual poetry. Drone art specialists, Celestial and First Nations Artists have collaborated to tell these stories from First Nations peoples. Renowned singer, songwriter, Archie Roach…
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The opening song in Bethany Louise’s Broadway Baby cabaret show is both a tribute and lament that she is singing at Arthur’s Bar for the Adelaide Fringe. Not that Arthur’s Bar is a bad place, it’s more because her dreams of starring on Broadway were dashed by the dreaded COVID virus. In an autobiographic style,…
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The Cocoon is four vignettes of love, with two monologues and two duologues. Written by New York’s Kotryna Gesait & directed by Brisbane-based Timothy Wynn, The Cocoon has previously been performed at the Adelaide Fringe in 2018 and again in 2019. For 2022, the performance takes place in Peter Rabbit in the West End of…
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Daniel Muggleton is an Australian stand-up comedian wearing a tracksuit. His trademark comedy is poking holes at bogans, racism, and almost anything else he can think of. He has a regular podcast and is a comedy club regular. On this chilly Tuesday night in the open-air Piglet Theatre at Gluttony, he wasn’t fazed by the…
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Sometimes, everything aligns to create that perfect moment. International Women’s Day marking the opening night of Lady Sings the Blues was one of those moments. As the full-house crowd filled the Melba Spiegeltent in Gluttony, it was clear that something special was about to happen. The feeling of the wooden floors, the mirrored walls, the…
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