Carriageworks have revealed a dynamic program for 2018 and its going to be huge with the season spanning contemporary art, dance, performance, music, screen, food and ideas. The Artistic Program will support 690 artists and will present 70 projects, including 10 world premieres, 17 international works and 17 new Australian commissions.... Read More | Share it now!
Famed Japanese art collective teamLab and their endless, unique and energetic approach to art and technology is currently on full display at Sydney’s Powerhouse Museum. Future Park is the largest exhibition from the collective and the largest ever seen in Australia, featuring eight interactive light installations which will be dazzling art lovers of all ages up until 30th April 2018.... Read More | Share it now!
The Depot Theatre and Secret House have once again worked their magic on a classic, this time bringing Anton Chekov’s The Seagull into the modern era. Stripped back to its heart, this is a compelling tale of the frailty of the mind. Cleverly adapted, beautifully designed and expertly cast, there is nothing to fear from this Seagull – it is immensely watchable and entirely relatable for the modern audience.... Read More | Share it now!
A question commonly asked in arts circles is where all the new Australian musicals are. Surely, they do exist, but grand-scale, blockbuster song-and-dance shows isn’t something we’re generally known for. Hot Shoe Shuffle – arguably Australia’s first hit musical – premiered only 24 years ago, and since then only Pricilla and Strictly Ballroom have made it to West End audiences. Global Creatures’, (who are also co-producers in Muriel’s Wedding) troubled production of King Kong is due to premiere on Broadway in 2018, but the big ape is hardly a representation of our cultural landscape. A national identity that relies on BBQs, sports and pub rock was always going to have trouble squeezing chorus numbers into the mix, yet our audiences flock to international touring shows in droves. So, why don’t we have more of our own?... Read More | Share it now!
With a title like Violent Extremism and Other Adult Party Games you can’t help but expect a few controversial laughs. But this new play by Sydney-based writer Richie Black is a cut above and a genuinely funny piece of work. Supported by a very good cast and strong production values, this is yet another triumph for the 2017 Depot Theatre season.... Read More | Share it now!
What is Christmas like with your family? I can guarantee it’s not nearly as dysfunctional as the one depicted in Mary Rachel Brown’s new play, Silent Night. Chock-full of jokes and characters that have to be seen to be believed, this is a play that makes the final rush to the supermarket on Christmas Eve seem like a stroll through the local library. In short, it’s frenetic, festive fun.... Read More | Share it now!