Luisa Miller is a lesser known earlier opera of Verdi, it’s name perhaps less extravagant then his La Traviata, Don Carlos or Aida, but in its musical telling are far more applicable characters and a genuinely beautiful yet tragic tale of love.... Read More | Share it now!
Walking into The Peacock tent on the opening night of the Adelaide Fringe Festival season felt like a much needed escape from the chaos that was the rest of Gluttony and the Rundle St/East Tce intersection. I made a point of not looking up much information about LUMINOUS prior to the show tonight, though I knew it had attracted much praise and interest in previous years so in all, I was keen to be surprised and impressed.... Read More | Share it now!
Tooth and Sinew in association with bAKEHOUSE Theatre present Year of the Family, written by Anthony Neilson. This production is an incredibly dark comedy that had me laughing at what could arguably be described as rather inappropriate circumstances. Highlighting how truly dysfunctional families can be, the play follows the relationships of half-sisters Fliss and Claire as they navigate through life one stumble at a time. Year of the Family forces you to question the traditional perceptions of family so often portrayed by the media, and renders the line between ‘normal’ and ‘insane’ rather ambiguously.... Read More | Share it now!
Music and cinema go hand in hand, however do we truly appreciate the power of music in film, and the ability it has to heighten the viewers emotions? We hear foreboding music and we feel fear, a slow forlorn piece concocts sadness, and an upbeat melody ensures elation. Music and film are beautiful in their own right, however together they can create pure perfection.... Read More | Share it now!
Let us introduce you to “The Wolf”. He’s vicious but not like that of a mangy dog. It’s a calculated, restrained and more often than not unnoticeable malice that only a trained eye might detect. He’s torn between the possibility of his own impossible freedom and a natural instinct to survive. He’s here in Australia, but not where you might think. You can find The Wolf in Graham Potts’ latest novel No Free Man.... Read More | Share it now!
Even if you haven’t yet seen a production of West Side Story, chances are you a probably familiar with one of its very recognisable tunes or melodies. From “Something’s Coming” to “Tonight” to “Somewhere” to even the very “Overture”, you’ll recognize something (eh). But really, seeing them all together in their original setting is the way to hear them. This latest production of West Side Story is just such a place!... Read More | Share it now!
Based on the classic Robert Louis Stevensen novel and adapted by Ken Ludwig, Treasure Island is a tale of pirates, adventure, treasure and family. Our narrator and protagonist is Jim Hawkins (Jonathon Burt) who, by chance, finds himself in possession of a map and becomes embroiled in a plot to discover hidden treasure. Of course, a band of merry pirates are also after the treasure and mutiny ensues with Jim’s trust sorely tested. Amidst all this swashbuckling is the tale of Jim’s Father’s mysterious death and involvement with the pirates. This is told through anecdotes from Jim himself and partly through his dealings with Long John Silver (Ben Freeman), who considered his father a close friend and was one of the last to see him alive. I confess, I did expect a Darth Vader moment where Long John confesses to being Jim’s Father, but was somewhat pleased it didn’t happen.... Read More | Share it now!
Dawn French has been alive for approximately thirty million minutes (that’s 58 years) and over the course of her two hour performance she is determined to let the audience in on what she’s learnt – as a daughter, a sister, a wife, a mother and a woman. Incorporating an ever changing screen backdrop and a killer soundtrack, French launches into the story of her life from childhood to now through fast paced dialogue, lip syncing and dancing.... Read More | Share it now!