In a time where our discussion is stilted, mediated and increasingly online, community engagement has formed a central aspect of contemporary theatre. The facilities to congregate and share stories are rare, particularly in outer urban areas or those where many cultures co-exist separately. While Reclaim Australia toots it’s white power horn, there’s a deeper issue at play; one where the multicultural heart of our city is fractured, and the places to bond and share new customs is fraught with politics or simple fear.... Read More | Share it now!
The Fantasticks has become the longest running production of any kind in the history of American theatre, no small feat, and yet I hadn’t heard of it. So noticing we were getting a production here in the wonderful Hayes Theatre I went to listen on Spotify. I wound up a good deal confused- what is going on, are they talking about fruit, who on earth is this fellow and what in bejeebus am I trying to remember in September? As it turns out The Fantasticks is the type of musical that you really need to actually see performed, for then it brings worth a whole wonderful story and, at least a little, more sense.... Read More | Share it now!
Gone are the days of the silent movies set in black and white where a comical gentleman enigmatically dances around the screen engaged in a slapstick routine. We now live in a world where sound, special effects, and computer graphics are what it takes to keep us enthralled. When I heard that The Pianist was coming to town I was excited to step back in time and enjoy a style now seemingly lost. This one man contemporary theatre show is performed by Thomas Monckton a Parisian trained circus performer who specialises in both clowning and mime.... Read More | Share it now!
When a story is told and retold and adapted in so many different ways you know there’s something special about it. This is of course the case with Puccini’s La Bohème, which has been adapted into popular modern musical RENT and used as inspiration for Baz Luhrmann’s Moulin Rouge just to name a few. In these instances there is something particularly special about finally being able to see the original work in its truest form.... Read More | Share it now!
I have wanted to see Mozart’s The Magic Flute for so long. The “happy” opera, full of playfulness, colour and magic, a welcome change from my more recent (brilliant) but tragic La Bohemes and Don Carlos’. And boy was everyone correct! The Magic Flute is absolutely the happy opera.... Read More | Share it now!
Whether your faith is a God, the community or a Seers shopping catalogue sometimes we don’t ask the higher powers for something but he gives it to us anyway. Was there a riot demanding the 1988 cult classic Heathers be revamped into a musical? Probably not. But Off-Broadway is one of those whimsical places that bring you not what you ask for but what you’d never think of, and now in Brisbane Heathers: The Musical is waiting for you.... Read More | Share it now!
Bright flashes beckoned us towards Melbourne’s Princess Theatre on Tuesday night as a myriad of celebrities sashayed along the red carpet. It was the opening night of Fiddler on the Roof and it seemed the entire city had come out to enjoy this long awaited spectacle. Long gowns brushed the floor, and champagne glasses clinked together as air kisses were received in greeting. The bell sounded and we made our way into the dimly lit theatre.... Read More | Share it now!
Circus Oz has become an Australian institution in its 37 years of performing around the world. One of the world’s first ‘contemporary’ circus’ – presenting shows without animals in more artistic settings – the group is partly responsible for many of the current crop of art circus troupes we’re familiar with today. But Wait.. There’s More sees the gang return to Australia after much of 2015 overseas and finally bringing their rock ‘n’ roll approach back to Sydney audiences.... Read More | Share it now!
As I entered the Arts Centre’s State Theatre with a hoard of people old and young, I could imagine a time long past where the magicians, illusionists, and freaks of the world held centre stage as they shocked and tantalised their audiences worldwide. A time without t.v or internet, where the prime form of entertainment stood in front of you in all their grandeur. ‘The Illusionists 1903’ propelled us back into an era where magic and mystique hung thick in the air, and nothing was quite as it seemed.... Read More | Share it now!
Sport for Jove’s The Importance of Being Earnest opens with perhaps one of the most perfectly choreographed scenes in theatre. Staged within an elaborate house and performed to “Le amour est un oiseux rebelle” from George Bizet’s opera Carmen, we see Algernon Moncrieff (Aaron Tsindos) after a long night of revelry, emerge and move about his house in a daze. His butler Lane (James Lugton) masterfully pre-empts his every move, catching falling glasses and cleaning up around him, perfectly synchronised to the classic tune. And so begins the Oscar Wilde tale of fantasy and farce in Victorian England.... Read More | Share it now!