It’s worthwhile taking Brisbane Festival Artistic Director David Berthold’s advice on how to attack this year’s just announced stellar line up of art and entertainment, “It’s a feast not a snack, don’t just taste one little tit-bit dive in and sample the whole range, use both hands and take risks!”... Read More | Share it now!
Submissions are now open for the third edition of the 2018 Keir Choreographic Award. Eight finalists will be given the opportunity to present their work at Melbourne’s Dancehouse in March 2018, where four will then be chosen to do a season at Carriegworks in Sydney. The winner will receive a $30,000 reward, with a $10,000 Audience Choice Award also up for grabs.... Read More | Share it now!
Choreographed by Stephen Page, Bennelong by the Bangarra Dance Theatre Company, articulates the story of Wollarawarre Bennelong, an Eora man who was kidnaped by Governor Phillip in 1789 and forced to live in the colonies. Taken back to England, Bennelong learnt to speak English and was held up as an example of the relationship between white settlers and the Indigenous people of Australia. His life seemed plagued by sadness and displacement, not belonging in the colonies but also seemingly out of place within the Eora people.... Read More | Share it now!
It is the night we honour and celebrate Australia’s vibrant live performance industry, and recognise distinguished achievements within musical theatre, contemporary music, comedy, opera, classical music, theatre, ballet, dance and physical theatre, presentation for children, regional touring and cabaret.... Read More | Share it now!
ASOS Supports Talent is a global initiative which helps young creatives turn their ambitions into real-life projects. One of the talent selected for 2017 is dance activist and choreographer, Amrita Hepi. With a practice that focuses on intersectionality, Hepi choreographed four routines with four dancers who she considers to embody incredibly political practices. The separate pieces are inspired by the struggles of the individual artists and were filmed in and around Sydney.... Read More | Share it now!
At the sudden reverberation of a thud-like sound, the State Theatre was pitch black. And so began Matthew Bourne‘s incomparable adaptation of Lord of the Flies. For those who have never read the book, seen the play or the movie, then this theatre experience will leave you feeling triumphant and proud, for what you will witness is nothing short of extraordinary.... Read More | Share it now!
There is nothing quite like seeing a contemporary ballet reflect the world in which we live in. For such a traditional dance form where discipline is paramount in the execution of movement, to see such fluidity and freedom amidst the dancers is refreshing and forward-thinking. The Australian Ballet‘s Artistic Director David McAllister says this triple bill is a way for audiences to tune out from their hectic lives and allow you “to enjoy the wondrous physicality and beauty of these three amazing works.”... Read More | Share it now!
It’s not every night you go to the theatre to see a show and arrive at a protest. Well, that’s exactly what we encountered on the opening night of a very politically charged ballet work called The Red Detachment of Women. It’s important to understand why there is a backlash to such a show and perhaps how it was approved by curator Stephen Armstrong.... Read More | Share it now!