Review: Sydney Festival’s Aquasonic is an exercise in extreme music

Danish group Between Music’s Aquasonic was one of the more intriguing inclusions in this year’s Sydney Festival program. Billed as the ‘world’s first underwater band’, the group performs with purpose-built instruments while completely submerged. The team apparently developed the show for over a decade, generating optimal conditions for water acoustics and creating the soundscapes.... Read More | Share it now!

Theatre Review: Muriel’s Wedding: The Musical is a neon-coloured explosion through our culture

A question commonly asked in arts circles is where all the new Australian musicals are. Surely, they do exist, but grand-scale, blockbuster song-and-dance shows isn’t something we’re generally known for. Hot Shoe Shuffle – arguably Australia’s first hit musical – premiered only 24 years ago, and since then only Pricilla and Strictly Ballroom have made it to West End audiences. Global Creatures’, (who are also co-producers in Muriel’s Wedding) troubled production of King Kong is due to premiere on Broadway in 2018, but the big ape is hardly a representation of our cultural landscape. A national identity that relies on BBQs, sports and pub rock was always going to have trouble squeezing chorus numbers into the mix, yet our audiences flock to international touring shows in droves. So, why don’t we have more of our own?... Read More | Share it now!

Theatre Review: She Rode Horses Like the Stock Exchange is a biting take on gender and power through the GFC

The GFC hit 10 years ago, yet it’s wave still lingers on. In a post GFC world, wages are stagnant, jobs are threatened, house prices skyrocket and global warming’s dark cloud hangs in concert. 10 years on, we’re still asking questions; how did this happen? Can it happen again? And, if so, who’s best equipped to manage it?... Read More | Share it now!

Vivid Ideas Game Changer Shepard Fairey talks early days of street art, comsumerism and ‘selling out’ as festival comes to a close

With a career spanning close to 30 years, Shepard Fairey is a veteran of world street art. In Sydney to talk as part of Vivid Idea’s Game Changers program as well as unveil a new mural work (his largest to date) and exhibition, he spoke of his early days building the now iconic Obey project and his approach to melding street art with commercial design work through his career.... Read More | Share it now!

Theatre Review: I Love You Now is a funny and complex portrait of love and infidelity – Eternity Playhouse in Sydney until 9th July

June is married to Leo, but she’s also having an affair with his twin brother Rob, and her personal trainer Hellmut. And a Catholic priest, John. Leo, meanwhile, is sleeping with Rob’s sister Michelle, his therapist Dr Shaw, as well as the family au pair Melissa. On top of all of this, June and Leo themselves are attempting to ‘spice things up’ as they hit the middle of their road together.... Read More | Share it now!

Theatre Review: Chimerica delivers on high visual and performance quality (at Roslyn Packer Theatre until April 1st)

Beginning in 1989, Chimerica brings us Joe Schofield, an American Photojournalist stationed in Beijing. Sitting in his hotel room during the Tiananmen protests, he manages to snap the all-famous photograph of Tank Man – a young student standing defiantly in the way of a line of tanks. Fast forward to 2012 and Joe, now back in New York, is faded and hungry to resurrect and rediscover himself. After a tip-off that the Tank Man may still be alive – and even living in New York – he risks everything to track him down and crack the story.... Read More | Share it now!

Sydney Festival Review: Celia Pacquola takes audiences for a ride in “The Looking Glass” (Performances until 19 January)

Celia Pacquola is (quite literally) everywhere. Turn on the ABC and you’re highly likely to see her face either on Utopia, her own new show Rosehaven or in her AACTA-winning role in The Beautiful Lie. Having built a reputation in standup for the better part of a decade, it’s a natural progression for someone who’s affable down-to-earth humour is quite endearing.... Read More | Share it now!

Review: Ira Glass, Monica Barnes, Anna Bass: Three Acts, Two Dancers, One Radio Host – Sydney Opera House (17.07.16)

In Ira Glass’ own words, this was a melding of two mediums no one ever asked to see in the same show. A mashup (for want of a better term) of radio and interpretive dance, Three Acts, Two Dancers… could be the most pretentious thing you might ever see, but is far from it. The famous broadcaster brings his trademark warmth and wit to the stage, with a veritable range of stories from the This American Life vaults. Interwoven throughout are spectacular dance routines by Monica Barnes and Anna Bass; some as a response to the stories being told, and others as standalone pieces.... Read More | Share it now!

Sydney Festival Review: In Between Two – Bay 20, Carriageworks (Performances until January 24th)

A premiere show for the Sydney Festival, In Between Two sees two Australian musicians, TZU’s Joelistics and Sietta’s James Mangohig, overlap their stories as mixed-race Asian Australians in Australia’s hip hop culture. Sharing family photos and tales from their heritage, the two share a basic commonality, however their histories couldn’t be more different.... Read More | Share it now!