Theatre Review: She Rode Horses Like the Stock Exchange is a biting take on gender and power through the GFC

The GFC hit 10 years ago, yet it’s wave still lingers on. In a post GFC world, wages are stagnant, jobs are threatened, house prices skyrocket and global warming’s dark cloud hangs in concert. 10 years on, we’re still asking questions; how did this happen? Can it happen again? And, if so, who’s best equipped to manage it?... Read More | Share it now!

Vivid Ideas Game Changer Shepard Fairey talks early days of street art, comsumerism and ‘selling out’ as festival comes to a close

With a career spanning close to 30 years, Shepard Fairey is a veteran of world street art. In Sydney to talk as part of Vivid Idea’s Game Changers program as well as unveil a new mural work (his largest to date) and exhibition, he spoke of his early days building the now iconic Obey project and his approach to melding street art with commercial design work through his career.... Read More | Share it now!

Theatre Review: I Love You Now is a funny and complex portrait of love and infidelity – Eternity Playhouse in Sydney until 9th July

June is married to Leo, but she’s also having an affair with his twin brother Rob, and her personal trainer Hellmut. And a Catholic priest, John. Leo, meanwhile, is sleeping with Rob’s sister Michelle, his therapist Dr Shaw, as well as the family au pair Melissa. On top of all of this, June and Leo themselves are attempting to ‘spice things up’ as they hit the middle of their road together.... Read More | Share it now!

Theatre Review: Chimerica delivers on high visual and performance quality (at Roslyn Packer Theatre until April 1st)

Beginning in 1989, Chimerica brings us Joe Schofield, an American Photojournalist stationed in Beijing. Sitting in his hotel room during the Tiananmen protests, he manages to snap the all-famous photograph of Tank Man – a young student standing defiantly in the way of a line of tanks. Fast forward to 2012 and Joe, now back in New York, is faded and hungry to resurrect and rediscover himself. After a tip-off that the Tank Man may still be alive – and even living in New York – he risks everything to track him down and crack the story.... Read More | Share it now!

Sydney Festival Review: Celia Pacquola takes audiences for a ride in “The Looking Glass” (Performances until 19 January)

Celia Pacquola is (quite literally) everywhere. Turn on the ABC and you’re highly likely to see her face either on Utopia, her own new show Rosehaven or in her AACTA-winning role in The Beautiful Lie. Having built a reputation in standup for the better part of a decade, it’s a natural progression for someone who’s affable down-to-earth humour is quite endearing.... Read More | Share it now!

Review: Ira Glass, Monica Barnes, Anna Bass: Three Acts, Two Dancers, One Radio Host – Sydney Opera House (17.07.16)

In Ira Glass’ own words, this was a melding of two mediums no one ever asked to see in the same show. A mashup (for want of a better term) of radio and interpretive dance, Three Acts, Two Dancers… could be the most pretentious thing you might ever see, but is far from it. The famous broadcaster brings his trademark warmth and wit to the stage, with a veritable range of stories from the This American Life vaults. Interwoven throughout are spectacular dance routines by Monica Barnes and Anna Bass; some as a response to the stories being told, and others as standalone pieces.... Read More | Share it now!

Sydney Festival Review: In Between Two – Bay 20, Carriageworks (Performances until January 24th)

A premiere show for the Sydney Festival, In Between Two sees two Australian musicians, TZU’s Joelistics and Sietta’s James Mangohig, overlap their stories as mixed-race Asian Australians in Australia’s hip hop culture. Sharing family photos and tales from their heritage, the two share a basic commonality, however their histories couldn’t be more different.... Read More | Share it now!

Sydney Festival Review: The Events – Granville Town Hall

In a time where our discussion is stilted, mediated and increasingly online, community engagement has formed a central aspect of contemporary theatre. The facilities to congregate and share stories are rare, particularly in outer urban areas or those where many cultures co-exist separately. While Reclaim Australia toots it’s white power horn, there’s a deeper issue at play; one where the multicultural heart of our city is fractured, and the places to bond and share new customs is fraught with politics or simple fear.... Read More | Share it now!