Theatre Review: The Book of Mormon will make you laugh til it hurts even if you feel you shouldn’t (Sydney Lyric Theatre)

What do you get when you combine a much-maligned American religion, Disney-movie songs and the writers of a politically incorrect adult cartoon? A ridiculously so-wrong-it’s-right musical called The Book of Mormon. As close to Broadway as you’re likely to see on the Australian stage, this show is an all-singing, all-dancing, joke-filled tribute to American musical theatre. The Book of Mormon may not change your life but it will certainly make you forget your own troubles for the evening and leave your cheeks aching with laughter.... Read More | Share it now!

Theatre Review: Mamma Mia! – here we go again (at Sydney’s Capitol Theatre)

In Muriel’s Wedding, Muriel wishes that her life was as good as an ABBA song. Presumably, that life looks a lot like Mamma Mia – a glittering Greek Island paradise where beautiful young men and women burst into song and dance at the drop of a hat, fall in love, have a wedding and live happily ever after. But it turns out that Muriel’s life is just that little more interesting than the ABBA Mecca that is Mamma Mia, and even though it’s probably unfair to compare the two shows (given the latter is nearly 20 years old), Muriel’s Wedding comes out on top of the ‘musicals featuring music by Benny and Bjorn’ list.... Read More | Share it now!

Interview: Mamma Mia!‘s Alicia Gardiner is a Two-Time Dancing Queen

There are some familiar faces in the new touring cast of Mamma Mia!, which opens in Sydney this week. Not only does Alicia Gardiner light up our screens as Kim Akerholt on Offspring, audiences returning to Mamma Mia! may also recognise her. Nearly 20 years ago, Alicia was part of the musical’s Australian premiere cast. I started by asking her what drew her back to the music of ABBA…... Read More | Share it now!

Sydney Festival Review: Whist is an intriguing but not wholly satisfactory experience

A dance-theatre piece presented using virtual reality technology in which the audience subconsciously chooses their own performance is a fantastic concept, but with Whist the end-result is confusing and even a little disturbing. For those interested in psychology and, in particular, the work of Sigmund Freud, this is an immersive treat. But if you’re looking for a joyous exploration of new technology in art you may be left wondering what could have been.... Read More | Share it now!

Opera Australia’s The Merry Widow is a sumptuous feast for the senses (until 3rd February)

Graeme Murphy’s divine production of The Merry Widow finally makes its way to the Sydney Opera House and it’s a cracking way for Opera Australia to kick off 2018. The combination of stunning Art Deco design, a witty new English translation and two extremely charismatic leads make this an extremely accessible introduction to opera for new fans, and an opulent delight for those well-versed in the genre.... Read More | Share it now!

Theatre Review: Secret House’s The Seagull is beautiful, edgy and raw (at The Depot Theatre until 16 December)

The Depot Theatre and Secret House have once again worked their magic on a classic, this time bringing Anton Chekov’s The Seagull into the modern era. Stripped back to its heart, this is a compelling tale of the frailty of the mind. Cleverly adapted, beautifully designed and expertly cast, there is nothing to fear from this Seagull – it is immensely watchable and entirely relatable for the modern audience.... Read More | Share it now!

Interview: You&Mei is Putting a Face to Fashion and Transforming Lives

A chance encounter in the poverty stricken streets of Myanmar just under two years ago led former High-5 star, Tanika Anderson, to question the Western world’s approach to ‘fast fashion’. Now, Tanika is set to launch the second collection from clothing label, You&Mei, a social enterprise that helps to raise up young women from poverty. I asked her to share more of this inspiring story…... Read More | Share it now!

Theatre Review: There are more than a few laughs to be had with Violent Extremism and Other Adult Party Games (until 25 November)

With a title like Violent Extremism and Other Adult Party Games you can’t help but expect a few controversial laughs. But this new play by Sydney-based writer Richie Black is a cut above and a genuinely funny piece of work. Supported by a very good cast and strong production values, this is yet another triumph for the 2017 Depot Theatre season.... Read More | Share it now!

Theatre Review: Silent Night brings an early dose of Christmas cheer (until 10th December)

What is Christmas like with your family? I can guarantee it’s not nearly as dysfunctional as the one depicted in Mary Rachel Brown’s new play, Silent Night. Chock-full of jokes and characters that have to be seen to be believed, this is a play that makes the final rush to the supermarket on Christmas Eve seem like a stroll through the local library. In short, it’s frenetic, festive fun.... Read More | Share it now!