Charlie Falkner wants to talk about sex. Specifically, the kind of sex tech-savvy, self-obsessed Millennials are having (or not having). His latest play, Sex Object, produced by JackRabbit Theatre Company and showing at The Depot Theatre, is a fast-paced, uber-real, laugh-a-minute look at what makes people tick in the modern age. And it is furiously good fun.... Read More | Share it now!
What happens when two masters of the unconscious meet at opposing ends of their careers? It’s an idea explored thoroughly by Hysteria, in which a near-death Sigmund Freud accepts a visit from a flashy young painter named Salvador Dali. In tribute to the genius of both men, Darlinghurst Theatre Company’s Hysteria is complex, thought-provoking and beautifully produced. But it falls just short of being great entertainment.... Read More | Share it now!
A new take on a theatrical classic makes this Calamity Jane a must-see. And the classic I’m referring to is not the musical – it’s the oft ridiculed theatrical style of ‘Broadway dinner theatre’. Everything bar the meal is here: interactions with the audience, contemporary references (insert Trump joke here), entrances and exits through the auditorium, ad-libs, slapstick, and even a big-name star in the lead. It shouldn’t work in a contemporary Sydney theatre but it really, truly does.... Read More | Share it now!
There are some standout performances in White Box’s production of Blackrock, now playing at Sydney’s Seymour Centre, but they’re not enough to lift it to the heights this play deserves. At a time when violence against women remains high in our nation’s consciousness, we need plays like Nick Enright’s Blackrock to hit us where it hurts. This production, unfortunately, lacks a bit of punch.... Read More | Share it now!
Take a Cirque du Soleil show. Strip out all the colour, the costumes, the set. Turn off the music. What you’d be left with is something that looks a lot like Dimitris Papaioannou’s Still Life. Featuring feats of acrobatic strength and clowning, Still Life is a beautiful piece of moving art, created from the most mundane of objects and tasks.... Read More | Share it now!
You’ve probably heard the phrase ‘wrestling with their inner demons’ – you may even know someone who has. In Institute, English physical theatre company, Gecko, has taken that idea and turned it inside out, giving us a powerful and beautiful physical representation of the inner workings of the human mind.... Read More | Share it now!
Native Earth Performing Arts’ Sydney Festival offering, Huff, is arresting, confronting, and oddly comedic. Immensely talented writer and performer, Cliff Cardinal, ensures the audience is continually unsettled, and you will find yourself laughing at circumstances that are far from funny. If you’re looking for a feel-good night out, safely ensconced behind the theatrical fourth wall, this is not it. But as an experiment in physical storytelling and audience alienation, Huff is deserving of your time.... Read More | Share it now!
Picture yourself at the edge of a rainforest, standing in the sun, eager to embark on a trek. Signs point you towards the path and provide helpful information about the journey soon to be undertaken. As you progress down the track, the canopy begins to close over you. New sounds emerge to drown out the familiar hum of modern life. Insects buzz and bite. You are struck by the colour, by the otherness of this world compared to your usual environment.... Read More | Share it now!
Urban Theatre Project’s Home Country is not so much a theatrical production as it is a full-bodied cultural experience, and it’s one not to be missed. Over three and a half hours of theatre, music and food, you are immersed into the worlds of others. It is a piece that challenges you to consider your own interactions with the assortment of lives that call Sydney home.... Read More | Share it now!